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Using EQ in Logic Pro X - Pro Mix Academy.
If you want a track to cut through the mix, either cut the frequencies of any tracks that are masking the track or cut frequencies that are making the track unclear and muffled. When you want the track to sound different, boost frequencies. Beware that boosting frequencies can disturb the balance of your mix and cause unwanted phase shift.
You may need to adjust the gain of the track after boosting a frequency. When you need to EQ a track, these generally accepted frequency ranges are excellent starting places:. You can divide the low and mid ranges even further to get more divisions.
This is useful as your ear advances and you need more frequency range distinctions in your mixing. For more mixing tips, download the Mixing Cheat Sheet…. Enter your first name and email address and click the "Get Access Now! Your email address will not be published. These tips will help you when you do need EQ: Cut to balance track levels Boost to add color to tracks Cutting Frequencies If you want a track to cut through the mix, either cut the frequencies of any tracks that are masking the track or cut frequencies that are making the track unclear and muffled.
Masking is when two similar sounds are in the same frequency range and the louder sound masks the quieter sound. Analyze the frequency content of your track by clicking the Analyzer button below the frequency display. To accomplish this I used a low ratio and carefully set my threshold.
Additionally, I used the auto-gain option at 0dB and introduced some subtle soft-clipping distortion. Lastly, I reduced the output gain by 2dB and blended the effect into the signal with the Mix dial.
If you want to learn more about compressors, check out this blog post and video on the topic:. It was really great to see that Logic provides a Pultec EQ emulation, perfectly suited for mastering with all frequency ranges available for adjusting.
I boosted and attenuated the low frequency to achieve a particular shelf-curve, as well as boosted some of the high-frequency range to add some air to the track. For the phase I chose natural, but linear works well too if you want a truly clean sound. Lastly, I introduced a small amount of tube distortion to make the signal sound fuller and more pronounced. The Exciter plugin has a very simple layout but is incredibly powerful so use this plugin carefully.
This plugin works by capturing the harmonics of a signal and then amplifying them. This is why I chose to add some harmonic distortion in prior to this plugin so that I could amplify and bring it forward with this plugin. I set mine pretty low around Hz to avoid exciting sub-frequencies. I keep the harmonic excitement percentage to about 0. Also, I chose color 2 since it sounded less distorted.
Because pop music is louder typically, this extra distortion can help achieve that perceived loudness. To add some width to the stereo image, we can use the same Channel EQ as before, but instead of attenuate the signal, amplify it.
I also chose to cut out the low-frequencies of the side image again, just in case any of our processing widened the low-frequencies into the side image. Pop music is often mastered louder than usual — this makes your limiting stage pretty important. For this mix I used 6dB of gain, resulting in about 3dB of gain reduction at certain points — but of pop, this is reserved and you can go louder if you need.
I used the precision mode because I liked the transparency of it , but try both functions to see which one works best for your mix.
Additionally, I enable true-peak detection. Furthermore, I used a shorter but not too short release time. I used a medium lookahead to avoid additional distortion, but this will reduce your loudness.
Lastly, I set the output level to
How to Master Pop Music with Logic’s Stock Plugins — Sage Audio - Using the Channel EQ
Logic Pro X comes with the most incredible sound effects on the market. It includes every plugin you need to make great sounding music. Channel EQ is one of the most-used Logic Pro plug-ins. The channel strip is where you adjust the volume and sound of a track. Turn the bands on or off by clicking the colored filter icons at the top of the interface. Boost or cut the bands by any of the following:. To the right of the graphic display, you can adjust the gain of the entire track with the gain slider.
Record your project well and you might not need to use much EQ. These tips will help you when you do need EQ:.
If you want a track to cut through the mix, either cut the frequencies of any tracks that are masking the track or cut frequencies that are making the track unclear and muffled. When you want the track to sound different, boost frequencies. Beware that boosting frequencies can disturb the balance of your mix and cause unwanted phase shift. You may need to adjust the gain of the track after boosting a frequency.
When you need to EQ a track, these generally accepted frequency ranges are excellent starting places:. You can divide the low and mid ranges even further to get more divisions.
This is useful as your ear advances and you need more frequency range distinctions in your mixing. For more mixing tips, download the Mixing Cheat Sheet…. Enter your first name and email address and click the "Get Access Now! Your email address will not be published. These tips will help you when you do need EQ: Cut to balance track levels Boost to add color to tracks Cutting Frequencies If you want a track to cut through the mix, either cut the frequencies of any tracks that are masking the track or cut frequencies that are making the track unclear and muffled.
Masking is when two similar sounds are in the same frequency range and the louder sound masks the quieter sound. Analyze the frequency content of your track by clicking the Analyzer button below the frequency display. First Name. Email Address. Share Leave a Reply Cancel reply Your email address will not be published.
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